Artist Reception: Friday, October 5th, 5-8pm

Wine and Refreshments with the Artists
September 28, 2018

Mariella Bisson, Otter Falls, North Carolina, Oil and mixed media on wood panel, 50 x 38 inches
Please join us at Momentum Gallery's downtown Asheville, 24 N Lexington, location for an Artist Reception, Friday October 5,  from 5-8 pm, in conjunction with the current group, nature-themed exhibition Transformation. Accomplished landscape painter Mariella Bisson, and renowned wood artists David Ellsworth and Ron Layport will be in attendance for the reception which is free and open to the public. Andy Farkas and Bill Hall also plan to attend.
This reception welcomes back Mariella Bisson to WNC for the first time since April when she visited to explore the region's waterfalls that resulted in a number of the new oils featured in Transformation. In fact, the gallery just received two new oils from Bisson: Otter Falls, NC and Tom's Creek Falls, NC. This occasion marks the first time wood sculptor Ron Layport is visiting Asheville, and we are pleased to announce Layport is bringing his latest turned and sculpted wood vessel, A Gathering of Antlers. So, even if you've been by previously to see the exhibtion Transformation, there's reason to come back! 
Ron Layport, A Gathering of Antlers, Turned, sculptued, and pigmented Maple vessel, 14-1/4 x 9-3/4 inches
The group exhibition, Transformation: Earth, Water & Wood features recent work by five Momentum artist partners: Mariella Bisson, oil painting with collage; David Ellsworth, wood; Vicki Grant, porcelain and mixed media; Ron Isaacs, trompe l'oeil painting on wood; and Ron Layport, wood. New York painter Mariella Bisson turns her attention to our regional waterfalls, depicting dramatic scenes of stone, water, and woods in her signature style. Bisson deftly delineates the sculptural planes of her subjects and often selects scenes that represent metaphors for adaptation and change. Trompe l'oeil master Ron Isaacs refers to his work as being "exactly halfway between sculpture and painting." His birch plywood constructions, painted with acrylic, often portray the illusion of shirts or dresses (representing the figure) in the midst of a state of metamorphosis into foliage and branches. 
David Ellsworth, Black Pot - Dawn, Large, Figured Ash, 8-1/2 x 11 x 10-1/4 inches 
Transformation also proudly presents work by two renowned American wood artists, David Ellsworth and Ron Layport. Ellsworth, who recently relocated to the Asheville-area, is a preeminent wood turner with work in 36 museum collections around the world, including the Metropolitan Museum of Art in New York, the Philadelphia Museum of Art, and the Museum of Fine Arts Boston. Ellsworth's aesthetic embraces nature's irregularities and might be compared to the Japanese principle, wabi-sabi, where anomalies that arise through the process of making add uniqueness and elegance to the work. Ellsworth's turned work is done on the lathe while the wood is still green, allowing for unusual things to happen as the turned forms cure and dry. Precisely rounded vessels may become oblong and asymmetrical, or even split open -Ellsworth welcomes these effects as part of his creative practice. Some might find it curious that the masterful woodturner's latest series isn't turned at all. For his Ascension series, Ellsworth cuts blocks of burled wood into concentric rings, then telescopes them out into dramatic, towering spires. Interestingly, Ron Layport first learned how to turn wood in a class led by David Ellsworth. Over the past 30 years, Layport has established a place among the top wood artists in the world. Layport uses negative space as a design element, carving intricate patterns of wildlife and habitat into the surfaces of his turned vessels. The results are complex relief carvings that maintain the integrity of the original form despite having been completely transformed

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