Have you ever experienced the gritty charm of downtown Asheville’s largely undiscovered Carolina Lane? Perhaps you are more familiar with its more famous cousin, Chicken Alley? On May 5, these alleyways and nearby streets will host a Creative Intervention – that is, a one-day event that prototypes design interventions and art-based solutions that shift how the public interacts with urban spaces.
The event is free and open to the public. It is one component of the Broadway Cultural Gateway project, an effort to transform Broadway Street into a central artery for a vibrant arts and cultural district stretching from its intersection with Woodfin Street to the cultural attractions of Pack Place.
Saturday, May 5
3:00 p.m. – 9:00 p.m.
Creative Intervention Event
Broadway Cultural Gateway Study Area:
Broadway Street to N. Lexington, Walnut Street to Woodfin
The Asheville Design Center (ADC), the Center for Craft, UNC Asheville students and faculty, UNCA STEAM Studio, Asheville Downtown Association, and League of Creative Interventionists, among others, will activate the study area to engage the public around what’s possible. For example, the Center for Craft will host a pop-up makerspace and ‘repair cafe’ in its Carolina Lane-facing basement, along with a temporary parklet in front of the Broadway Street entrance.
“We believe that Asheville’s future is largely dependent on the health of our creative sector and its relationship to the built environment,” says Stephanie Moore, Executive Director of the Center for Craft. “We are thrilled to be working with the such a strong team of community partners, including ADC, to prototype potential future scenarios on May 5th. The event is an opportunity to creatively engage the community for input and ideas, which will inform a broader community vision for the neighborhood,” says Moore.
• art installations and live performances by UNC-Asheville students and faculty Temporary Pop-up Makerspace & ‘Repair Cafe’ at the Center for Craft, including interactive activities offered by Center for Craft, Penland School of Crafts, UNCA STEAM Studio, Horse & Hero, Roots & Wings, Asheville Makers, Diamond Brand, Echoview Fiber Mill.
• “Ghost Signs” Historic Tour with Jack Thomson of the Preservation Society of Asheville & Buncombe County
• LEAF Easel Rider Van
• Blue Ridge Public Radio pop-up cafe
• Buchi Kombucha
• Asheville Buskers Collective
• American Myth Center
The May 5 Creative Intervention Event is an opportunity for the public to experience the potential of a “creative intervention” to transform difficult and unexpected public spaces. ADC’s team of design and planning experts will collect community feedback and data from the event to inform both a long-term implementation plan for the Broadway Cultural Gateway project.
“As part of this design experiment, we’re keeping Carolina Lane open to cars and trucks. The alley is used for parking, to access private garages and by delivery drivers and garbage trucks,” explains Chris Joyell, director of the Asheville Design Center (a program of MountainTrue). “That’s not going to change, so it’s important for us to test how pedestrians and vehicles can safely share the same place.”
Celebrate with Us: Thursday, November 15th, 6-9pm
We are thrilled to announce the opening of our new space, Momentum on Broadway! On Thursday, November 15th, from 6-9pm, join us for grand opening! Located at 52 Broadway Street, the opening of our new downtown Asheville art gallery brings more of the intriguing work you have come to love! New artists, new works, and a brand new space will all be highlighted during this celebration! All are welcome! Please join us!
Momentum Gallery hosts a special reception to celebrate the highly-anticipated opening of its new space located at 52 Broadway Street in downtown Asheville, Momentum on Broadway, on Thursday, November 15th, 6-9pm. A number of Momentum’s Artist Partners plan to be in attendance. The reception is free and open to the public.
Ron Isaacs, Couple, No. 17, acrylic on birch plywood construction, 8 x 8 x 1 inches.
This event marks the official unveiling of the first phase of renovation, for a 4000-square-foot space on the ground floor of the historic, three-story building Momentum acquired earlier this year. Clean lines and a brighter, more open venue await visitors who were familiar with the space previously occupied by Stuf Antiques. Momentum Gallery intends to continue upfitting additional square footage in the building over the coming months while maintaining locations on both North Lexington Avenue and Broadway Street.
Kate MacDowell. Memento Mori 2, Slip cast and hand built porcelain, glaze, 4-1/2 x 5-1/2 x 4-1/2 inches.
Select works by Momentum Gallery artists occupy the new space along with two exhibitions which also open November 15th, Small Works, Big Impact and Casey Roberts – Cyanotype Paintings. The former is an annual curated collection of paintings, sculpture, and mixed media works by gallery artists and special guests. Emotive ceramics, surreal painting, intricate glass curiosities, embroidered foliage, and memento mori come together in a provocative collection of intimately-scaled works by familiar and new gallery artists. Although small in size, these works are nonetheless powerful, conveying the vision and prowess of their accomplished makers and taking on themes of mortality, natural phenomena, and discovery. The exhibition features new works by Samantha Bates, Cristina Córdova, Amber Cowan, David Ellsworth, Hillary Waters Fayle, Amy Gross, Alli Hoag, Ron Isaacs, Kate MacDowell, Kit Paulson, Lawrence Tarpey, and more.
Casey Roberts, Moon Lit (River Without End), Cyanotype on paper w/ collage, 37 x 47 inches.
The gallery is thrilled to announce the Asheville debut of Casey Roberts with a one-person exhibition to open the new space on Broadway. Dreamy and contemplative – Roberts’ large-scale cyanotype paintings on paper depict a variety of domestic and wilderness subjects which evoke a still and wonderous world. Subjects the artist often revisits include trees, water, animals, and sky. About these works, the artist comments, “there is an intuitive wisdom in nature.” Through his thoughtful use of silhouettes and selective color, Roberts’ ethereal works, profound in their simplicity, tap into our longing for connection through nature.
Jordan Ahlers is fulfilling his vision of two decades to elevate the Asheville art scene with the opening of Momentum on Broadway. Already a cornerstone in the downtown gallery district, Momentum Gallery (and now Momentum on Broadway) add to the expanding cultural offerings Asheville is currently enjoying. We look forward to seeing you on Thursday, November 15th! Have a drink with us - beer, wine, champagne, and craft cocktails by Troy & Sons will be provided!
What an honor!
Check out Amy Gross' interview on Colossal! Amy creates hand-embroidered and beaded sculptures that are beautiful and full of life - and yet they are created from all man-made materials, so there is no decay!"I do not collaborate with the nature that fascinates me, the myriad of visible and invisible interactions that lie at the heart of every insect, bacteria, tree, and spore. I collaborate with manufacturing. I use no found objects, nothing was ever alive." - Amy Gross
Exhibition at 24 N Lexington Ave through January 31, 2019Pam Longobardi, ONE WORLD OCEAN (ANTHROPOCENE HYPEROBJECT)Ocean plastic recovered from international waters, 99 x 88 inches
Pam Longobardi's The Drifter's Project, was recently installed at Momentum Gallery's 24 N Lexington Avenue location, as part of photo+sphere (November 7-11), an Asheville city-wide event focusing on how we see the environment and the role humans play in determining the future of our planet. This innovative festival features nationally known speakers, panelists, exhibitions, films, and special projects at venues throughout Asheville, NC. (www.photoplusavl.com) The solo exhibition is a powerful statement and will run though January 31, 2019.
Pam Longobardi, BROKEN BOATS, Archival pigment print , 27 x 40 inches
Longobardi's exhibition is an emotional response to her work cleaning plastic out of ocean waters worldwide. Her installations speak to the environmental devastation that plastic and other pollutants make on our world. As a scientist, Pam logs her excursions and photographs to catalog her experience. These photos are presented, in addition to her large scale art installations, to demonstrate her findings.
Pam Longobardi, SIGNAL FLAGS FOR CLIMATE CHANGE18 flags made from recovered life vests from Lesvos, Greece; thread and wood
Pam comments: "I was trained as a painter and printmaker, and continue this in my studio practice, but have always worked in varying mediums from photography to painting and collage to installation, allowing the ideas to dictate the materials I work with. I am interested in the collision between nature and global consumer culture. Ocean plastic is a material that can unleash unpredictable dynamics. I am interested in it in particular, as opposed to all garbage in general, because of what it reveals about us as a global culture and what it reveals about the ocean as a type of cultural space, as well as a giant dynamic engine of life and change."
Pam Longobardi, ISLAND REFUGE VII, Defunct & devalued currency collage and paint, 13 x 16 inches
Beloved Artist and Friend
October 20, 1964 – September 18, 2018
Jordan Ahlers with Drew Galloway, October 20, 2017 in front of Drew's painting, Still Life
We are mourning the loss of our dear friend, Andrew Kirklyn Galloway. It was an honor to represent Drew Galloway, open Momentum Gallery with him, have him join us for our debut event, and celebrate his birthday with him in Asheville last October. It was our privilege to present Drew’s work in Miami this past February at the international fair Art Wynwood and host his final exhibition, a pairing in the spring with wood sculptor, Christian Burchard. Drew was one of the first artists to join Momentum; he was excited to be a part of this new venture, and more recently about the new space we’re upfitting on Broadway.
Celebrating Drew Galloway's last birthday at Momentum Gallery, October 20, 2017
We had a number of conversations over the years about painting (his as well as other artists’ work), the business of art, and life in general. Drew appreciated connecting on a personal level. He always showed genuine interest and had thoughtful inquiries about my kids and our family’s traditions. He was an intellectual who didn’t lose sight of compassion and empathy. He was a special soul.
Drew was intrigued by nature and music. Although he was already a gifted painter, he had the gumption to immerse himself in the rich history of Giverny, where Monet found inspritation. He spent months learning, living, and painting in the same town as the impressionist. He absorbed the scenery of France and imbued it in his creations.
Drew Galloway, Across the Pond, Oil on metal, 36 x 48 inches
Drew earned a BFA from Atlanta College of Art. He held a lifelong fascination with the overlooked and often underappreciated charm he found in everyday places and things. “Championing ordinary beauty that we get immune to as adults,” he once said. Drew’s practice of late focused on landscapes rendered in oil on found sheets of metal. He’d incorporate the natural patina of the metal (rust, oxidation, etc.) and, in some cases, only a third or half of the painting’s surface was covered in paint at all! Intricately detailed renderings, Drew cropped in on reflections of trees or sky on the surface of water to the extent that they felt like abstract compositions, despite essentially being photo-realistic. Still, Drew said, “It’s not about being bogged down by details, but capturing feeling, memory, and the essence of a place or a person.”
He will be missed.
Drew Galloway, September Song, Oil on tin, 36 x 48 inches
We are asked daily about our upcoming move to Broadway. Curiousity often surrounds the timeline of the move and commentary includes how excited people are about our new space! We are grateful to our clients, supporters, and friends so interested in our plans and want to take this opportunity to share a quick update.
As many of you have heard, our new gallery space will unfold in several phases over the coming months. The current timeline includes an intial relocation this fall, to begin establishing Momentum Gallery's new and permanent home at 52 Broadway Street, next to Mellow Mushrooom. Contractors are working diligently to get us into the space as soon as possible. Partitions are up, and the space for Phase 1 has begun to take shape in the section of the historic building that previously housed Stuf Antiques. Clean lines define dramatic open areas as well as intimate spaces with work stations that are at once accessible and set back. Sheetrock is nearing completion and the space will be painted next week. The flooring and some other minor cosmetic work still need to be addressed, though we anticipate these items progressing quickly.
We will certainly announce (through our Facebook page and other social media) once we're in the space and begin to install artwork. Keep in touch with the most up-to-date information by liking Momentum Gallery Asheville on facebook, and stay tuned for unfolding details. Thank you for your interest and support!
Collages and Mixed media works availableRecent oil and mixed media works depicting scenic landscapes from Mariella Bisson have just arrived at Momentum Gallery! We are thrilled to work with Mariella and present her newest watercolors, oils on linen, and other collage based works to you! Mariella recently said, "oil painting is a classic time-honored technique requiring patience, color balancing, and the matching of my palette to the specific landscape I have studied. I transform my direct experience into art in order to bring the beauty and power of nature to my audience and collectors." Bisson's will be one of five featured artists in our upcoming group exhibition, Transformation: Earth, Water & Wood, opening Thursday, August 30th. Some of the work is available for pre-sale now.Mariella Bisson, Summer Falls Panorama, Oil and mixed media on linen, 34 x 74 inchesMariella Bisson visited North Carolina earlier this year on an expedition of inspiration for these paintings. She has spent time soaking up energy outdoors and actively engaged in the studio to complete new, dramatic works for our upcoming show. Of her work showing at Momentum, Mariella shared, "Asheville is evolving into a major destination for fine arts, for artists and collectors. This confluence of craft and art is bringing about a renaissance, creating a new vortex of discussion, debate and artistic achievement. I believe in the importance of art-making based in skill and thoughtful consideration. Asheville is surrounded by magnificent landscape destinations, superb hiking trails and thrilling waterfalls. I am very happy to be finding such a receptive audience for my paintings in Asheville." Visit the art gallery in downtown Asheville for a preview of Bisson's recent works on paper and her oil and mixed media paintings. All of Bisson's available work can be seen here: https://momentumgallery.
com/artists/34-mariella- bisson/works/Mariella Bisson, Big Bradley Falls, Oil and mixed media on linen, 38 x 50 inchesMariella deftly delineates the sculptural, geometric planes of her subjects. She has a strong sense for composition, and her take on the landscape is refreshing and contemporary. Stylized and highly textural, Bisson's works convey a thoughtful sensibility clearly developed from time the artist has spent immersed in nature. Her scenes of stone, water, and woods in her signature style has been captivating a new audience in North Carolina since Momentum opened last October. Of note, Mariella Bisson is a two time recipient of the Pollock-Krasner grant and was awarded a New York Foundation for the Arts fellowship in painting.Mariella Bisson,You Can't Step into the Same River Twice, Mixed media on paper, 12 x 16 inchesMomentum Gallery is incredibly honored to represent Mariella Bisson and are pleased to offer you a preview of her newest creations. Come by the gallery at 24 N Lexington Avenue!
Therman Statom's Vitreograph, Frankincense, ed. 25/50
Momentum Gallery is pleased to announce a fundraiser for the Center for Craft! We will be raffling an original vitreograph by glass pioneer, Therman Statom, titled "Frankincense" (signed and numbered by the artist, unframed) and all proceeds will benefit the Center for Craft, a non-profit committed to advancing the understanding of craft by encouraging and supporting research, critical dialogue, and professional development in the United States.
Therman Statom's "Frankincense" is a colorful vitreograph, a print made from etched glass plates, created with Harvey Littleton (known as the Father of Studio Glass) in Western North Carolina, at Littleton Studios. The print depicts various imagery, including a buddha, a heart, and a feather.
Tickets are on sale now through August 15th and may be purchased at our downtown Asheville art gallery, located at 24 N Lexington Avenue, or by telephone at 828-505-8550.
Ticket Prices are as follows:
$30/ 1 ticket
$50/ 2 tickets
Therman Statom, Frankincense, ed. 25/50. Vitreograph from glass plates, 30 x 24 inches. Signed, 1999.
All tickets will be labeled with the purchaser's name and entered in a sealed box. A representative from the Center for Craft will choose the winner on August 15th at 6pm. The winner need not be present at the time the name is selected. Once the winner is notified, the unframed print may be picked up or will be shipped as per the winner's request.
In conjunction with the Summer of Glass, Momentum Gallery, in downtown Asheville, is pleased to present a collection of works by contemporary glass pioneer, Therman Statom. Featured works include translucent shadow boxes constructed from sheet glass, screen-printed with various imagery and combined with found objects; a large-scale painting of two playing cards within a plate glass shadowbox with found objects entitled Summer Queens; a solid cast-glass house; and works on paper (vitreographs done at Harvey Littleton's studio in Western North Carolina). Frankincense is available for purchase at the gallery during this show, which runs through August 25th, 2018.
Therman Statom (b. 1953) is an artist whose primary medium is sheet glass. He cuts, paints, and assembles the glass - adding found and blown glass objects - to create three-dimensional sculptures. Many of these works are large in scale. He often utilizes sound and projected digital imagery as features in his work. He is best known for his painted ladders, houses, and chairs, and glass boxes.
Statom studied glass at Pilchuck Glass Center, received his BFA from the Rhode Island School of Design, and holds an MFA from Pratt Institute of Art and Design. He has taught at Pilchuck and the University of California, Los Angeles. He has also received commissions for countless large-scale installations, including those at the Los Angeles Central Public Library and the Toledo Museum of Art.
Statom has also focused on the importance of educational programming within the arts. He regularly holds workshops for children and adults to create handmade art and to effect positive social change within the community.
Momentum Gallery will be selling tickets for this special unframed and matted print, edition 25/50, and the proceeds will benefit the Center for Craft. This fundraiser is open to all ages and we will not discriminate against any person. Momentum Gallery, the Center for Craft, and any other affiliates do not discriminate on the basis of race, creed, color, ethnicity, national origin, religion, sex, sexual orientation, gender expression, age, height, weight, physical or mental ability, veteran status, military obligations, and/or marital status.
Some Glass Terminology
Our Summer of Glass shows, Reflections and GLASS PIONEERS: Therman Statom & Dale Chihuly, include works made utilizing a variety of techniques by contemporary glass sculptors across the country. We are thrilled to be exhibiting such incredible glass artists in our downotwn Asheville art gallery. Some have said "it is the best glass show Asheville has ever seen."
Everyone loves to see the exquisite work, but some people want to have a deeper understanding. In case you'd like to brush up on your glass vocabulary, the Corning Museum of Glass has an insightful list of terminology with pictures and definitions:
Jennifer's work will be shown in our upcoming show, Reflections, opening July 1st
Check out Jennifer Halvorson's work on This is Colossal! Momentum Gallery is thrilled to be showing Jennifer's work as part of our upcoming Summer of Glass Show, titled Reflections, opening July 1st, 2018.
Momentum Gallery is pleased to participate in the First Friday Gallery Art Walk in Downtown Asheville. The first friday of every month, Momentum hosts guests from 5-8pm with beer and wine and stimulating conversation. Stroll through the gallery, meet some of our artists, and enjoy your evening with us! We are thrilled to be a part of the downtown Asheville art gallery association!
Friday, June 8th, 4-7pm, Artist Talk at 6pm
Meet Sculptor Michael Enn Sirvet on Friday, June 8th, from 4-7pm at Momentum Gallery, 24 N Lexington Avenue, in Downtown Asheville. Michael will present an Artist Talk at 6pm. Drinks and light refreshments will be provided. This event is free and open to the public. All are welcome. This event is presented in conjunction with a three person abstract exhibition at Momentum Gallery, including artists Michael Barringer, Jeannine Marchand, and Michael Enn Sirvet.
Michael Enn Sirvet, MAPLE GALE II, Maple hardwood & clear acrylic base, 28 x 29 x 5-1/4 inches
Michael graduated from the University of Maryland with a degree in structural engineering and an overflowing fascination with science, the arts, nature, and the patterns that bind them together. Employed by one of the leading engineering firms in the world, Michael worked on such structures as Frank Lloyd Wright’s Falling Water, The Smithsonian’s Hirshhorn Museum & Sculpture Garden, and the National Museum of American History.
Michael Enn Sirvet, RED SHADOW SPHERE, Powder-coated aluminum, 28 x 28 inches
For more than a decade, Michael has been producing sculptural artworks using metals,hardwoods, plastics, clay, stone, and paper. He continues to travel to the remote and fascinating places of the earth to immerse himself in the wonders of nature. Upon his return, he combines them in his studio with the science and mathematics which influences and shapes the artwork he creates. Michael Enn Sirvet is a highly accomplished sculptor whose work can be found in major collections throughout the world.
Michael Enn Sirvet, ROUSSEAU RAIN MIRROR, Aluminum, 26 x 44 x 1 inches
“I strive to capture the primitive beauty within familiar forms, to interpret their underlying architecture and their place in time and space, and construct a bridge between those simple icons and complex ideas. Inspired by the geometry inherent within the chaos of nature, and the technology and industry
which I use to mimic them, I create archetypal structures which are at once static and dynamic, organic and industrial, intricate yet tranquil.
“My hope is that the simple intricacies of my abstracted, purified forms and assemblages will invoke recognition and impart the wonder that I feel for nature. That I use industrial materials and methods to create enduring artworks that appear organic, delicate and ephemeral is an embedded irony when considering the effects of man's technological and industrial development upon nature and our environment. However, I feel that passion and the creative ability to turn the industrial and plain into beauty is a sign of the surest hope.”
– Michael Enn Sirvet
Michael Enn Sirvet, SUNSET OBSCURA, Powder-coated aluminum, 85 x 23 inches
How cool is this? Hope to see you there!
Pairing of Gallery Artists: Bill Hall | Maltby Sykes & Christian Burchard | Drew Galloway
Sunday, March 11th, from 5-8pm, Momentum Gallery, in downtown Asheville, opens two new exhibitions pairing gallery artists. Local printmaker Bill Hall makes his Asheville gallery debut in a show that plays his graphic works off those of the late Maltby Sykes (1911-1992), while landscape paintings on found metal by Drew Galloway are presented with works by renowned wood sculptor, Christian Burchard. These two Duos run through April 28, 2018.
Master printer Bill Hall worked with several well-known artists including Helen Frankenthaler, Jim Dine, and Chuck Close during his 30-year career with Pace Editions in New York. Hall’s recent original prints combine aquatint with collage in graphic, minimalist compositions that play with the viewer’s perception of depth, while nuanced surfaces created from organically scratched copper plates provide visual interest to the work.
Bill Hall, Flipped, Aquatint etching with dry point, collage 14 5/8 x 24 5/8 inches
Hall’s prints complement vintage lithographs and mezzotints from the 1950s and 60s by Modernist Maltby Sykes (1911-1992). Revered by generations of students, Sykes was Professor Emeritus of Printmaking at Auburn University, where he taught for many years. Having trained with John Sloan in New York, Diego Rivera in Mexico, and André Lhote and Fernand Léger in Paris, Sykes conquered diverse printmaking techniques and sophisticated subject matter inspired by his travels, mythology, and world events during his lifetime.
Maltby Skyes (1911-1992), Caterpillar, Mezzotint, 8 x 18
Drew Galloway creates his signature painterly works on asymmetrical applied sheets of metal. This unique canvas provides patina and texture, adding depth to his masterful ability to paint reflections of light, trees and sky in pools of rippling water. A native of Birmingham, Alabama, Galloway attended the Alabama School of Fine Arts, Memphis Academy of Art and received his BFA at the Atlanta College of Art in 1987.
Drew Galloway, September Song, Oil on tin, 36 x 48 inches
Nationally recognized for his artistic achievements, Galloway has exhibited extensively throughout the Southeast, where his works are in numerous public, private and corporate collections. Complementing the natural movement in Galloway’s paintings, is the work of Christian Burchard, a master wood sculptor born in Hamburg, Germany, now living and working in Oregon.
Christian Burchard, Baskets 18 parts, Pacific madrone burl
Burchard uses green, unpredictable wood from the Pacific Madrone burl, which naturally warps and twists, changing shape as it dries, making his final forms unique and nearly impossible to replicate. His works can be found in the permanent collections of over 30 prestigious museums across the country.
An artist reception for both Duo exhibitions (Hall/Sykes & Burchard/Galloway) takes place at Momentum Gallery on Sunday, March 11 from 5-8 p.m. In keeping with the duo theme, the refreshments at the reception will include thoughtful pairings of craft beer/wine and cheese. This event is free and open to the public.
New Year's Eve Opening Reception December 31st, 2017, 5-8pmMomentum Gallery is hosting a New Year's Eve Opening Reception for two new shows. Small Works/Big Impact and Andy Farkas open on December 31st, from 5-8pm. We will have live music by Byrdie & the Mutts, light refreshments, and a festive atmosphere. This family friendly event is free & open to the public. Hope to see you then! Wishing you a fantastic new year!Andy Farkas is appearing in our Feature Gallery. His original wood engravings and moku-hanga prints integrate animal imagery and poignant expressions in handset type.
Small Works/Big Impact: Experience and expressions concentrated in a collection of intimately-scaled works by multiple artists including Michael Barringer, Samantha Bates, Mariella Bisson, Thor & Jennifer Bueno, Christian Bruchard, Lisa Clague, David Ellsworth, Vicki Grant, Crystal Gregory, Amy Gross, Hoss Haley, Ron Isaacs, Jeannine Marchand, Maltby Sykes, and Lawrence Tarpey.
Happy holidays from Momentum Gallery! We hope this season brings you the gifts of contentment, joy, peace, and love. We are grateful to our staff, artists, clients, and friends for the immense support and look forward to seeing you in the coming weeks.
Our holiday hours are:
Sunday, December 24 12pm - 4pm
Monday, December 25 CLOSED, MERRY CHRISTMAS!
Sunday, December 31 12pm - 8pm, New Year's Eve Opening 5pm-8pm
Monday. January 1 12pm - 6pm, HAPPY NEW YEAR!